2 Truths That Resonate

Some of you may know that I have dis­con­tin­ued my ser­ial novel blog, Honor & Truth.  I loved the char­ac­ters, but the story was not going in the direc­tion I envi­sioned.  I’ve since scrapped the old work and am hard at work on a rewrite.  I’ve been out­lin­ing using Scrivener (fun!) and the story that I always had in mind is tak­ing shape.  I am learn­ing so much about my char­ac­ters and by exten­sion, I am also learn­ing a lot about myself.  There are two truths that res­onate as I write.

Har­ri­son Schmitt / Foter

1. The world out there scares me.

2. The con­flict in my sto­ries rep­re­sents my fears.

Honor, my main char­ac­ter, is a tough young woman.  She is a fighter.  Honor is angry and stub­born and she makes a lot of bad choices.  In short, she can be incred­i­bly unlik­able.  Despite her bad traits, she believes in jus­tice and is will­ing to fight for it.  She is a rebel.  Honor rep­re­sents the way I wish peo­ple would/could be in the face of all of the injus­tices in our world.

I am noto­ri­ously unin­formed.  I am the last per­son to know about the “big thing” that’s been in the news for the last few days.  That is pur­pose­ful.  Not that I have an expec­ta­tion that every­thing hap­pen­ing in the world will be hearts and roses and love and Kum­bayah, but there is just so much ugliness.

Greedy mur­der­ing despots.  Civil and national unrest where protest­ing becomes vio­lent.  Injus­tices and abuses against women and chil­dren.  Wars of choice and not neces­sity.  Racial and reli­gious intol­er­ance.  Envi­ron­men­tal destruc­tion and impend­ing cat­a­stro­phe.  Greed.

Evil abounds.  While I do believe that there is far more good in this world than bad, this cer­tainly is not the pic­ture we get in the news.

I am much more keenly aware now, than I was when I started writ­ing Honor & Truth, that this story is my cathar­sis.  My Xanax.  My way of calm­ing the anx­i­ety that the weight of this world’s prob­lems cre­ate in my heart and mind.

Being fully aware of this, has made rewrit­ing Honor & Truth that much more fulfilling.

I write about the things that scare me, even when I don’t know I am.

What truths has your writ­ing revealed to you?

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Divergent Artist: Rohina Malik Talks About Writing Unveiled After 9–11

I was very happy when Rohina Malik agreed to this inter­view.  A wife, mother, and play­wright, I knew she’d be busy, but she didn’t dis­ap­point.  Rohina grew up in Lon­don but moved to the U.S. at the age of 15.  She says that she loves the the­ater both as a prac­ti­tioner and a viewer.

1.  I am par­tic­u­larly intrigued by your play Unveiled.  The play focuses on five Mus­lim women as they nav­i­gate the post 9–11 land­scape, their expe­ri­ences and understandings. 

unveiled4.jpg

Was there a spe­cific event in your life that pre­cip­i­tated your writ­ing and ulti­mately per­form­ing this one woman play?  If not a par­tic­u­lar event, was there some­thing par­tic­u­lar on your mind that you wanted to relate that caused you to write this?

Grow­ing up in Lon­don, racism was a part of life.  But noth­ing pre­pared me for the back­lash after 9/11 in the US.  It seemed like every­one I knew had a story, that ranged from silly to bone chill­ing.  An inci­dent at my best friend’s wed­ding that inspired me to write Unveiled.  There were two wed­dings tak­ing place at this par­tic­u­lar venue, and a man began to swear at me.  He had a very strong reac­tion to my veil.  The inci­dent took place in front of my chil­dren and so quickly almost became violent.

When I started to write Unveiled, I began from a very per­sonal place, and told the story of the wedding.  Once that was com­plete, some­one com­mented on the Chai men­tioned in the story.  I then framed each story with a tea from the Mus­lim world.

2.  Who is your favorite of the five women that you rep­re­sent in Unveiled?  Tell me why?

I love all five of the women in my play.  They rep­re­sent the diver­sity of the Mus­lim community.  If I had to choose, I would say Sha­bana, the Lon­don rapper.  I love hip hop and find it very powerful.  It’s always fun for me to trans­form into a rap­per because she’s so dif­fer­ent from me.

3.  Where and when did Unveiled show? 

Unveiled had its World Pre­miere in May 2009 at the 16th Street The­ater, directed by Ann Filmer, where it received crit­i­cal acclaim, and the entire run and exten­sion was sold out. Unveiled received a sec­ond pro­duc­tion at Vic­tory Gar­dens The­ater, a third pro­duc­tion at Next The­ater, and a fourth pro­duc­tion at Brava The­ater, San Fran­cisco.  There will be a fifth pro­duc­tion in April 2013 at Cross­roads The­ater, NJ.

4.  There is a video on YouTube which shows a young man in tears after see­ing your play.  He talks about how wrong some of his mis­con­ceived notions about Mus­lims were.  Knowing that you have touched some­one so deeply and pos­si­bly changed someone’s heart must be an awe­some feeling.  Relate some of the most curi­ous (whether good or bad) reac­tions Unveiled has received.  Do you believe that your mes­sage was successful?

 

I can’t tell you how often peo­ple have bro­ken down into sobs after see­ing Unveiled.  It reminds me of the power of Art and the power of theater.

5.  You have two other plays, Mecca Tales and Yasmina’s Necklace.  Please share a brief expla­na­tion of these plays, where they are (or have) showing.

Yasmina’s Neck­lace deals with the war in Iraq, and is still in development.

The Mecca Tales was a play com­mis­sioned by The Good­man The­ater.  It was inspired by Chaucer’s The Can­ter­bury Tales.  The plays deals with pil­grims who share sto­ries of why they are going to Mecca for the Hajj.

6.  Are you work­ing on any­thing else?  If yes, please tell me about it.

I’m writ­ing a graphic novel with my illus­tra­tor friend and brother-in-law Michael Klaus Schmidt.  The book is called “Layla and the Red Winged Blackbird.”

7.  Do you have plans to branch out in the future to film or do you pre­fer to stay on the stage?

At the moment I’m focused on plays, but yes, I would love to write a sceen­play one day, inshallah…

If you are inter­ested in hav­ing Rohina Malik per­form where you live, she can be con­tacted at: unveiledtheplay@gmail.com

 

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The Shape of Things to Come, Outlining!!!

I’ve been doing some­thing that I never thought I would: OUTLINING.

I’ve tried out­lin­ing in the past with other sto­ries, but my enthu­si­asm too often gets the bet­ter of me and I can’t stop myself from start­ing the tale before the con­cept is ripe.  The result, I admit, is often a tale that fal­ters and falls flat.

Since decid­ing to stop the H&T blog, I’ve regrouped and started out­lin­ing.  I spent a few days try­ing to decide how I was going to do this.  By hand?  Using Liq­uid Story Binder?  yWriter5?  Scrivener?  (In case you’re won­der­ing, yes, I do have all of those pro­grams.  I couldn’t help myself.)

I set­tled on using Scrivener as it is clean and easy to use, fluid, and yet struc­tured enough to keep me from wan­der­ing.  I absolutely adore LSB, but its com­plete flu­id­ity is so awe­some that I was afraid I’d get lost in all the ameni­ties and never get any work complete.

Scrivener has been a joy.  Maybe I’m just on a roll but I feel as if the process of out­lin­ing using this totally inter­ac­tive soft­ware has been free­ing.  I feel as if I’m actu­ally doing some­thing spe­cial.  Honor and Truth is start­ing to take new shape.  I like that shape.

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3 Favorite Tales: 2 New & 1 Old

My iPod touch is never very far from me.  I’m always lis­ten­ing either to a great story or to a pod­cast that will give me tips on how to craft one.

I wanted to share three pod­casts that I’ve added to my list of favorites.  The next time you’re in a lis­ten­ing mood, you can check them out.

1. Clarkesworld: The Womb Fac­tory by Peter M. Fer­enczi (April 2012) 

The Womb Fac­tory” was an awe­some tale that man­aged to be timely and touch­ing all at once.  It speaks to our cur­rent polit­i­cal and social cli­mate regard­ing trade rela­tions with China as well as issues of infringe­ment and piracy.  Then there is Mei, the main char­ac­ter, a young girl, who due to unfor­tu­nate cir­cum­stances is forced to give up so much of her­self in order to earn her right to live.  And yet, what she has can hardly be con­sid­ered a life.  Mei’s sen­ti­ments and emo­tions carry this heavy tale so well you can feel them just as keenly.  Pol­i­tics aside, this story is also about issues even closer to home such as how we value each other, right down to the most basic human level. What is a life worth?  Does money, sta­tus, race, or gen­der play any part in deter­min­ing one’s value?  Should it?  “The Womb Fac­tory” is a mas­ter­piece and I plan on lis­ten­ing to it again.

2. Escape Pod 339: “Run,” Bakri Says by Fer­rett Stein­metz (April 5, 2011) 

Breath­less.  This story left me breath­less.  The pac­ing is inge­nious, fren­zied, painful.  The main char­ac­ter, Irena has a job to do, over and over and over again.  In this awe­some tale, Irena has the oppor­tu­nity or the curse of hav­ing to repeat a task until she reaches her goal.  Like video games, she has a save point, but unlike video games, her task is hardly fun or reward­ing.  For­tu­nately the rep­e­ti­tion gives Irena the time and expe­ri­ence to reach some rather painful and grue­some real­iza­tions, as well as improve her game.  Unfor­tu­nately, these real­iza­tions force her hand.  Intrigued yet?  You should be.

3. Clarkesworld: Frozen Voice by An Owom­oyela (July 2011) 

I wanted more.  I wanted to know how we came to this.  When the story was over, I wanted to know what would hap­pen to these chil­dren.  I ached for these chil­dren.  An Owom­oyela man­aged to cre­ate such a full and won­drous world in this story that it was dif­fi­cult to accept its end.  Addi­tion­ally, Rhi­anna and her younger brother are such strong, soli­tary, yet frag­ile chil­dren it was impos­si­ble for me not to fret about their con­di­tion and their future.  This story has just about every­thing that I love all wrapped up in one: aliens, a future dystopian soci­ety, a blend­ing of cul­tures and under­stand­ings, and descrip­tion so keen you can almost smell it.

* I wanted to share that this site was men­tioned on Clarkesworld’s pod­cast of 03/15/12 in the intro to Bells of Sub­si­dence by Michael John Grist. What a won­der­ful surprise!

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My Biggest Writing Mistake

I was excited.

Malak, Honor, Alia
Malak, Honor, Alia

I had a char­ac­ter in mind and I could see her face.  She was a tall big-boned brown-skinned girl with atti­tude and an anger man­age­ment prob­lem.  Raised by a kindly old woman who kept stray chil­dren like some­one else would keep stray cats, Honor was raised in a home with other orphan chil­dren like her­self.  Despite this, Honor always felt alone and adrift with­out a fam­ily to call her own.

Honor In SInistral
Honor In Sinistral

Honor knew she had a twin brother named Truth some­where out there.  If she could find him, he would be the fam­ily she didn’t have.  If she could find him, she might learn why they had been seper­ated and why she couldn’t remem­ber her past.  Along with her brother, Honor hoped to learn the truth of her past, the mean­ing of her visions, and the rea­son she had super­nat­ural powers.

Truth and Segher Satellite
Truth and Segher Satellite

This story, like so many that I dreamed of before, also serves as my own per­sonal PSA, as it addresses in its way my fears about the envi­ron­ment, and cul­tural, racial and reli­gious big­otry.  For me, writ­ing is often an act of catharsis.

When I think about it, that story sounds pretty good, if I say so myself.

Honor, Malak, Alia at The Hole
Honor, Malak, Alia at The Hole

I designed a pretty slick look­ing blog (I thought) and I posted a chap­ter every two weeks with accom­pa­ny­ing art.  I enjoyed hack­ing out this tale.  Hack­ing.  Yes.  Hack­ing is exactly what I was doing.  I was hack­ing this idea to bits.  I was slowly and sys­tem­at­i­cally los­ing the best bits of this tale through for­get­ful­ness and neglect and replac­ing those bits with…nothing.

Honor&Truth has so many plot holes I couldn’t fill them with five tons of asphalt.

Here is why:

While H&T started with a phe­nom­e­nal idea, I never com­pleted even a cur­sory out­line.  As a result H&T was direc­tion­less.  As a result the char­ac­ters were too many and not well devel­oped.  I wrote what­ever came to mind.  This is fine, for a rough draft, but not for some­thing that I intend to post online for the world to see.  In short H&T wasn’t ready for prime­time and nei­ther was I.

Alif
Alif

What do I think of H&T today?  I still love the con­cept of this story at its most basic level.  I am still intrigued by the cen­tral char­ac­ters and their per­sonal dilem­mas.  I’m not so sure about the direc­tion they’re trav­el­ing in though.

I’ve decided, after long lamen­ta­tions and fear, and well, let me be hon­est, guilt, that this blog will have to go the way of the dinosaur.  I’m going to leave those old bones alone and build another stock­ier ani­mal; one with stay­ing power; one built to live in this day and age, in this cli­mate and atmo­spere.  I won’t let that baby out again until she is dressed in her finest and ready to showboat.

H&T is not a mis­take but start­ing ser­ial blog was my biggest writ­ing mis­take ever.  EVER.  I’ve learned a les­son and I’m proud to say so.  This has been terrific!

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Fan Service Makes Me Sick

How do you feel about fan ser­vice?  It makes me sick.

I learned the term “fan ser­vice” from my son, who described what it meant from behind a shy­ish grin.  “They’re just giv­ing the pub­lic what they want to see, and appar­ently that’s half naked women.”

Really?  But most of those half naked women are actu­ally girls.  Is that what the pub­lic really wants to see?

I’m sure I’m not the only per­son to have noticed a dis­turb­ing trend in much of anime with regards to its treat­ment of women.  Typ­i­cal anime women whine and sim­per, wear extremely provoca­tive cloth­ing, and the ones con­sid­ered attrac­tive are pop outs from the same cookie cut­ter with ultra thin physics and enor­mous breasts.  Even the most seri­ous female char­ac­ters and the most inno­cent are reduced to objects of sex­ual fan­tasy by the unex­pected up skirt shot, or its equivalent.

My inter­est in Blue Exor­cist con­cluded indef­i­nitely at episode 12.  Until then, I tuned in online every week to watch a fan-subbed ver­sion.  I liked the art, the story line, and the unique pro­gres­sion.  One char­ac­ter named Shieme, a shy and sweet school girl, who up until the pre­vi­ous episode wore the tra­di­tional kimono, was sud­denly redressed in her school’s uni­form.  In this episode Shieme is sup­posed to meet her class­mates at the local amuse­ment park and is run­ning late.  Shieme breaks into a jog to catch up with her class­mates.  In a tiny pleated skirt and but­ton up top, Shiemi’s wildly bounc­ing décol­letage is replaced with the image of a plate of jig­gling gelatin.

The objec­ti­fi­ca­tion of women is dis­turb­ing on many lev­els, but in this case, even more so, because Shieme is a child.  Unfor­tu­nately this isn’t an iso­lated sce­nario.  There are count­less other anime that objec­tify girls who are even younger, dress­ing them in provoca­tive cloth­ing and plac­ing them in sit­u­a­tions with not very sub­tle sex­ual innu­endo that smacks uncom­fort­ably of child pornography.

Allow me to add that in the same episode, another char­ac­ter named Shura, revealed that she was not the boy every­one thought her to be in a hoodie and jeans and that she was not a stu­dent either.  When she unveiled her true iden­tity she also unveiled her bosoms and con­tin­ued the remain­der of the series in a scanty bikini top.

This type of wan­ton sex­u­al­iza­tion is enough for me to stop watch­ing an anime alto­gether.  I’m sure that my unwill­ing­ness to par­tic­i­pate hardly wor­ries the cre­ators and mar­keters of anime…after all, who am I in the grand scheme of things?  The mother of two daughters.

None of this is to say that there aren’t fun, inter­est­ing, and intel­li­gent anime avail­able, because there cer­tainly are.  My inter­est in this form off art and sto­ry­telling are fairly new, so I’m not expert, but I’ve seen a few that I think are great.  My favorites so far are Death Note, Moribito, Mon­ster, and Vex­ille (movie).

What are your favorites?

You might also like:

Moribito: An Anime with a Fully Clothed Heroine

Have You Watched Ergo Proxy?

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