Awesome Sauce, Zombies, and Self Publishing Dos and Don’ts

I’m excited to wel­come Matt (Awe­some Sauce) Williams back to my site. For those of you who don’t know, he is an ubber pro­duc­tive author and blog­ger whose taste for top­ics knows no bounds. He recently pub­lished a zom­bie novel enti­tled Whiskey Delta which he first seri­al­ized on his blog. Today he’s here to tell us about Whiskey Delta and his most recent foray into self pub­lish­ing. Pull up a chair, you just might learn some­thing. Talk to us, Awe­some Sauce.

1. For those who don’t know, give a brief run down of WD. What was the inspi­ra­tion? When did you publish?

Whiskey Delta is basi­cally my take on the zom­bie apoc­a­lypse. After read­ing and watch­ing numer­ous fran­chises on the sub­ject, mainly for the sake of research into what makes the genre work, I real­ized they all had some­thing in com­mon beyond undead crea­tures. With­out excep­tion, they all focused on the lives of your aver­age cit­i­zens, or on a mot­ley crew of peo­ple who were thrown together by neces­sity. Always these peo­ple were unpre­pared, untrained to deal with their cir­cum­stances, and had to impro­vise and strug­gle to stay alive. Frankly, I wanted to see a story where the peo­ple fight­ing the undead were trained, pre­pared, and knew how to deal with it, even if they still had a hell of time doing it.

Nat­u­rally, I was inspired by the recent upsurge in pop­u­lar­ity that zom­bie fran­chises have seen in recent years. 28 Days Later was a big one, as wasThe Walk­ing Dead, the minis­eries and the comics. I also gained a lot of knowl­edge from the minis­eries Gen­er­a­tion Kill, which chron­i­cled the 1st Recon Battalion’s exploits dur­ing the 2003 inva­sion of Iraq. Between all that, I had a strong desire to write about zom­bie killers who know their trade, warts and all!

I began pub­lish­ing it chap­ter for chap­ter in the spring of 2012, and fin­ished it just shy of the sum­mer. I took the plunge and decided to make it avail­able to the pub­lic one year later, in April of 2013. While I still wanted to fin­ish up work on its sequels and edit it before release, an unex­pected shout out from Max Brooks kind of forced my hand and I uploaded it to Kin­dle with­out seri­ous edits. The result was pretty rough, but still con­tained the story I had cre­ated with­out alter­ation or distortion.

2. WD is self-pubbed, which I think, aside from being brave, is the smart thing to do these days as it leaves con­trol in the hands of the author. That said there are pros and cons. Tell us what they are in your experience.

Self-publishing means cut­ting out the mid­dle man — or the gate-keeper, depend­ing on how you view pub­lish­ers — and being able to take your work directly to the pub­lic, which is a big plus. This is espe­cially use­ful con­sid­er­ing that tra­di­tional pub­lish­ing is los­ing money on a daily basis due to the expan­sion in social media, direct pub­lish­ing and print-on-demand houses. As a result, they are tak­ing less chances on new authors. Lucky for us, the source of the prob­lem also presents a solution.

On the down­side, there’s the issue of being com­pletely respon­si­ble for your own suc­cess. As an indie, you are respon­si­ble for all of your own edit­ing, pub­lic­ity and pro­mo­tion. As such, you really have to com­mit to a long, hard slog and hold out while peo­ple real­ize you exist and see the mer­its in your work. You also have to con­tend with the per­cep­tion that indie works are sub­stan­dard, ama­teur­ish works that aren’t worth people’s time or money. Overcoming this is not easy, but hope­fully with time, you’ll estab­lish a read­er­ship and dis­tin­guish your­self from the herd.

3. You’ve dis­cussed the good and not as good news about WD on your site since self-pubbing it. Tell us what you feel you’ve done right/wrong. What would you change if you could?

Well, one should always be happy that review­ers are find­ing nice things to say about your work. And every review has said that they liked the story, but were both­ered by the qual­ity of edit­ing. Nat­u­rally, I feel like I was wrong to pub­lish it so soon and worry that these reviews which call into ques­tion the qual­ity of the work will affect long-term sales. So even if I do release a 2nd edi­tion that’s error-free, the dam­age has been done.

How­ever, I remem­ber quite clearly why I put the book up when I did. I knew that a nod from Max Brooks might trig­ger inter­est in my book and send some peo­ple over to Google to look for it. And I knew that inter­est would quickly fade if peo­ple couldn’t find it. I have since come to the con­clu­sion that the fact that it falls under the head­ing of zom­bie fic­tion is what is attract­ing read­ers, but at the time, I was con­vinced word of mouth pro­mo­tion from an estab­lished author would make all the difference.

So really, bar­ring some kind of pre­scient fore­sight on my part — which would have told me to just wait until it was edit­ing before pub­lish­ing, or drop the sequels and focus on the orig­i­nal — I can’t imag­ine hav­ing done things dif­fer­ently at this point. Live and learn, I guess!

4. What advice would you offer other self-pubbed authors?

Best advice I could give was the advice that was given to me over the years. I kept it in point form for the sake of simplicity:

  1. Do what you love, the rest will take care of itself with time.
  2. In the mean­time, keep your day job. Until such time as you’re mak­ing enough money to sup­port your­self, you’ll need that steady income!
  3. Don’t wait to be dis­cov­ered. Use the tools that are at your dis­posal to pro­mote your­self and make things happen.
  4. Do your home­work. Before you can put your idea into proper writ­ten form, you need to do your home­work and learn what works best for you.

5. Which of the char­ac­ters in WD would you most want to befriend in real life? Why?

Tough ques­tion, but I think the Mage would be a very good per­son to meet in real life. He’s enig­matic, even to me, and I know for a fact that he’s the kind of per­son who’s had some very inter­est­ing expe­ri­ences. Not only that, but he keeps you guess­ing. You’re never quite sure how much he knows, or whether or not he’s a good guy…

You can catch Matthew Williams here:

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Interview: Nadine Ducca and Serving Time

 

SERVING TIME front coverI am happy to fea­ture an inter­view here with Nadine Ducca. She has just released her debut novel, the first in a series, called Serv­ing Time.  It sounds like a win­ner and I’ve added it to my “to read” list. You should too. You can also try your luck at win­ning a free copy of Serv­ing Time over at Goodreads. I hope I win it. Too bad there’s no way to enter the con­test more than once. ;-)

Goodreads Give­away!!!!

Other places you can find serv­ing time on Kin­dle and in print: 

Amazon.com

Amazon.co.uk

Amazon.es

Every­one, please wel­come Nadine, indie author extraordinaire! 

Nadine, thank you for join­ing me and giv­ing me the chance to take part in your efforts to pro­mote Serv­ing Time. As an indie author I appre­ci­ate the need for expo­sure. It sounds as if Serv­ing Time is going to be quite a story, one that I am def­i­nitely inter­ested in reading.

1. Give us a brief expla­na­tion of what Serv­ing Time is about.

When inter­plan­e­tary pilot and smug­gler Tris­tan Cross finally decides to do good for a change, the entire uni­verse seems bent on stop­ping him.

Serv­ing Time is a sci-fantasy pur­suit across the solar sys­tem as Tris­tan and his brother Eneld try to give the cruel mega­com­pany Star­Corp the slip and start a new anony­mous life on Earth. Dur­ing their voy­age, they’ll dis­cover that someone—or something—else is after them…and there are much larger threats out there than StarCorp…

Here is the offi­cial book description:

Life and death have been indus­tri­al­ized. The Forge, the birth­place of every soul, is a rum­bling fac­tory owned by the god­dess Time, man­aged by Lucifer, and pow­ered by the labor of demons and imps. In this dystopian world, a rene­gade inter­plan­e­tary pilot run­ning from his past doesn’t stand a chance.

Han­dling Nep­tun­ian meth and dodg­ing secu­rity can­nons are all in a day’s work for Tris­tan Cross—not that he’s one to com­plain. Work­ing for the smug­gling com­pany Star­Corp is an improve­ment over what he used to do for a living.

How­ever, when Star­Corp gives Tris­tan a one-way ticket into the brainwashed—and dis­turbingly suicidal—Loyal League, he decides to run from the com­pany and start a new life in the only safe haven he knows: Earth. With the help of his brother, Tris­tan embarks on the most haz­ardous jour­ney of his life, one that will place him at Time’s mercy. Lit­tle does he know the demons run­ning the uni­verse are crav­ing a feast, and his own soul is the next item on the menu.

2. What was the inspi­ra­tion for Serv­ing Time? How long did it take for Serv­ing Time to ger­mi­nate into a full fledged tellable tale?

Serv­ing Time started out as a short about 15 years ago. When I was a teen, I spent much of my free time jot­ting down short sto­ries. In fact, I have two full-length nov­els from when I was around 15 or 16, but I’m too embar­rassed to even begin edit­ing them!

The story that even­tu­ally evolved into Serv­ing Time was about two broth­ers who made a liv­ing loot­ing derelict space ships. In the short, they quickly ended up on the system’s “Most Wanted” list, and decided to flee to Earth, where they knew the space author­i­ties wouldn’t be able to find them.

As a teen, I shelved the story when the broth­ers met Verin, a dis­con­cert­ing man who offered to help them escape to Earth, but who seemed to have a very dif­fer­ent agenda in mind. Sev­eral years went by, and the short story gath­ered some dust—but wasn’t forgotten.

When I fin­ished uni­ver­sity, I was ter­ri­bly frus­trated with myself. I had had enough of doing what I was sup­posed to do. It was time to start doing what I wanted to do! That was when I promised my char­ac­ters (who were giv­ing me for­lorn looks as they stood by and waited) that I would tell their story.

The process of trans­form­ing the short into a 120,000 word novel took about three years, mainly because at first I had no idea what I was doing. I had to learn thecraft. In June of 2011, I enrolled in a cre­ative writ­ing course, and in Novem­ber of the same year I joined Cri­tique Cir­cle, an online cri­tique group.

I was finally doing what I had always wanted!

Then came the long hours of pound­ing at the key­board. And the changes—oh, so many changes!

Over time, names changed. The main char­ac­ters’ goals changed. The plot twisted itself into a knot. Some char­ac­ters slipped into obscu­rity while oth­ers rose to the occa­sion and sur­prised me with their ver­sa­til­ity. Creepy crawlies grad­u­ally popped up in sev­eral chap­ters. The plot evolved, and fan­tasy demanded a cen­tral role. I ended up wel­com­ing it into my story, and what a great deci­sion that was!

3. Of all of the char­ac­ters on your book, which one would you most want to befriend. Why?

I have a soft spot for Seth, the child­like owner of the Robot Rehab in the space colony Ring­wall. He spends his days strip­ping old robots and using the parts to cre­ate new…well… Let’s be frank here: they’re abom­i­na­tions. But don’t get me wrong! They’re very cre­ative abom­i­na­tions! Every now and then, Seth adds a lit­tle something—shall we say…unusual?—to his robotic cre­ations, a dis­qui­et­ing habit that earned him the title of “cannibal.”

He’s such a bright, chirpy and quirky char­ac­ter, and so absolutely obliv­i­ous to his innate creepi­ness, that you just have to love him! In my case, I’d love to spend a few days with him in the Robot Rehab and check out all the mon­sters he’s assem­bling. How­ever, don’t let his youth­ful appear­ance and easy­go­ing dis­po­si­tion fool you; there’s great poten­tial buried deep in that mind of his.

I love him so much…you can’t imag­ine how guilty I feel about every­thing I put him through.

Here you can see an inter­view with Seth.

Here you can catch a sneak peek into Serv­ing Time involv­ing Seth!

4. I’ve placed Serv­ing Time on my To Read list. It sounds really inter­est­ing espe­cially since it seems so much hap­pens in space. So, for that rea­son, I assume ST is a sci-fi tale. How did you han­dle the sci­ence in this story?

Indeed, Serving Time is a soft sci­ence fic­tion tale. Although I adore sci­ence fic­tion, I’m not a big fan of hard sci-fi (my eyes tend to glaze over when­ever I encounter an entire para­graph of pure tech­ni­cal descrip­tion). I pre­fer character-driven sto­ries to technology-driven ones, and that’s exactly what Serv­ing Time is.

For the sake of cred­i­bil­ity, I did per­form exten­sive research regard­ing Mar­t­ian ter­rafor­ma­tion, travel dis­tances across the solar sys­tem, and the like—but I also left a lot of room for fantasy.

As we travel through the chap­ters of Serv­ing Time, we grad­u­ally notice that the sci­ence fic­tion world is infested with an entire menagerie of unusual crea­tures, rang­ing from the (self-proclaimed) demon mas­ter Robert West­brook, to the packs of demons rem­i­nisc­ing of bet­ter times, to the god­dess of Time her­self, as she strug­gles to keep every­thing together and make amends for her past mis­takes. Time is a vain crea­ture, and just admit­ting that she made a mis­take takes its toll on the entire universe.

One of my all-time favorite authors is Robert Sheck­ley, whose witty and humor­ous short sto­ries have cap­ti­vated me for years. The col­lec­tion Untouched by Human Hands is absolutely mar­velous, a five-star read. While com­ment­ing on his work, Sheck­ley him­self once said: “I felt I wasn’t really writ­ing sci­ence fic­tion.” Well, I can relate to that. While writ­ing Serv­ing Time, I some­times also felt I wasn’t really writ­ing sci­ence fic­tion; my char­ac­ters just hap­pened to live in a cou­ple cen­turies in the future! With the uni­verse a cler­i­cal mess, it’s clear that many of the ele­ments in Serv­ing Time are pure fantasy.

5. What do read­ers have to look for­ward to in the next install­ment of Serv­ing Time?

I’m not going to reveal if Tris­tan and Eneld reach Earth safe and sound—you’ll have to read Serv­ing Time to find out! How­ever, I will tell you that our heroes are in for one heck of a jour­ney, and things just seem to get more and more com­pli­cated as they go. The adven­ture will take an unex­pected turn and con­tinue in book two:Making Time.

As I men­tioned in a recent blog hop, Making Time is a “sci-fi expe­di­tion into Hell.” Expect mon­sters. Dozens—no, hundreds—of them! Expect adven­ture and chal­lenges, and maybe even a tad of romance.

Mak­ing Time is almost com­plete. The plot is planned from begin­ning to end; I just need to wrap up sev­eral of the final chapters.

Click here to see a WIP Blog Hop post about Mak­ing Time!

Thank you very much for the inter­view, Khaal­i­dah! Before say­ing good­bye, I’d like to invite you all to my Goodreads give­away for a chance to win a free signed copy of Serv­ing Time! Just fol­low the link to enter.

No, no. Thank you for join­ing me. It was a plea­sure and an honor. Good luck Nadine!

Nadine

 

@NadineDucca

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Review: Primary Inversion

Primary Inversion (Saga of the Skolian Empire, #1)Pri­mary Inver­sion by Cather­ine Asaro

My rat­ing:

At the begin­ning of the year I decided to actively seek out and read SF&F writ­ten by women or with women occu­py­ing the tit­u­lar roles. As you may imag­ine, when I first learned about Cather­ine Asaro , a female author who writes hard SF while read­ing the Com­plete Guide to Writ­ing Sci­ence Fic­tion, I was excited and impressed and went in imme­di­ate search of books writ­ten by her. Aside from being an author and dancer, Asaro has degrees in chem­istry and physics from Har­vard. I felt imme­di­ately assured that her books would give me that blend of believ­able SF and intrigu­ing nar­ra­tive I love. How­ever, not until I started to read Pri­mary Inver­sion did I real­ize that she can also be billed as a romance author.

This is where things sort of went bad for me.

I’m not sure if this is the point at which I am sup­posed to hand over my hon­orary girl’s club mem­ber­ship card, but I have a dif­fi­cult time with strong ele­ments of romance in my books. This is a per­sonal pref­er­ence. More accu­rately, I can tol­er­ate romance if it is taste­ful, sub­tle, and does not make up the bulk of the story. Not quite so with PI, but this is not my only issue with this book.

It’s not that I hate romance… it’s just that I do. Ha. Specif­i­cally, I don’t appre­ci­ate the over sen­ti­men­tal­ized, sappy, UNREALISTIC, heart-rung qual­ity romance nov­els fre­quently present us with. Even more specif­i­cally, I pre­fer sto­ries wherein the romance is a hap­pen­stance occur­rence and not the crux of the tale.

Pri­mary Inver­sion (PI) is the first novel in the Saga of the Sko­lian Empire series. PI is a hard SF, space opera, polit­i­cal intrigue and, yes, romance novel. As I typ­i­cally do with my reviews, I will try to dis­cuss the mer­its of the book as I see and under­stand them with­out spoil­ing it for those who even­tu­ally chose to go on and read it.

PI is writ­ten in first per­son POV in the voice of the main char­ac­ter, Saus­cony Val­do­ria (Soz). Soz is an intel­li­gent, pow­er­ful super soldier-type who leads her own fighter squadron. She is attrac­tive and at forty-eight years old looks about half that. Part of her super sol­dier prowess is due to her many cyber­netic implants, but also in part to her genetic make-up. She is Rhon (I still hon­estly don’t get it) and this makes her, in addi­tion to every­thing else, a pow­er­ful empath. She is funny and spunky, bright and quick wit­ted. Soz is also the sis­ter of Kurj, Imper­a­tor of the Sko­lian Impe­ri­alate, and she is next in line to take his place. What this means is that she is old money wealthy and prac­ti­cally royalty.

Her biggest inter­nal con­flict is a ten year old psy­cho­log­i­cal wound she car­ries after hav­ing been once kid­napped and raped by an Aristo, a race that derives plea­sure from the pain of empaths.

At first I thought it was the first per­son POV that I didn’t like, but then I real­ized that in this case, first per­son wasn’t the issue so much as the char­ac­ter of Soz her­self. She is quite the Mary Sue:

  • Very Beau­ti­ful
  • Strangely col­ored hair
  • All men want her
  • Even men who don’t like her want her
  • An espe­cially skilled pilot/leader/soldier
  • Heiress appar­ent to the Sko­lian Imperialate
  • Prac­ti­cally royalty
  • Wealthy
  • Tragic past (rape) she is still trau­ma­tized by mak­ing her vul­ner­a­ble at just the right situations
  • Highly potent empath (Empa­thy is her super­nat­ural power fur­ther strengthen by cyber­netic implants? Although there are oth­ers with this power, hers is par­tic­u­larly strong and well-honed.)
  • Pre­ten­tious name — Saus­cony Val­do­ria? Really?
  • Incor­rupt­ible
  • Nearly fifty but looks twenty-something
  • Rec­og­nized her true love via ecstasy induc­ing mind meld

Dur­ing the course of this book, which spans over a few months, Soz enters into three rela­tion­ships. The first and most appro­pri­ate is with a man who even­tu­ally becomes a para­plegic. He breaks up with her so as not to destroy her life and prospects. Of course she was pre­pared to forego her com­fort and her posi­tion for him, but… Her sec­ond rela­tion­ship is with a twenty some­thing year old who seems ter­ri­bly naïve. Their rela­tion­ship was hardly explored out­side of their cud­dling and romps. He was her golden haired boy­toy. The last rela­tion­ship was with a twenty year old named Jaib­riol Qox, who she met in the begin­ning of the book. JQ wasn’t just naïve but he was wholly inex­pe­ri­enced and also, being Rhon, had this imme­di­ate men­tal con­nec­tion with her that meant that they were soul mates. The prob­lem with this was that JQ is the heir appar­ent of the oppos­ing side a galac­tic war.

Yes, what we have here is a Romeo and Juliet-ish tale.

I don’t like Romeo and Juliet.

I don’t like my char­ac­ters per­fect and awe­some and unflawed.

I don’t like spend­ing an entire book stuck in the head of a char­ac­ter whose stuck on them­selves. She spends a lot of time stuck in Woe-is-me-land and I can’t stand that place. Not only that, rape or not, I have a dif­fi­cult time feel­ing as sorry for her as she does for her­self. As a mat­ter of fact, there was a scene in which, while drunk, she “mis­tak­enly” held a loaded weapon to her head. I kinda wished she would have pulled the trig­ger. Oh, the misery.

I’d also like to note here that JQ is the much younger male mir­ror image of Soz. In other words, Gary Stu. See all those Mary Sue traits listed above? Yep. That’s him with the odd adjust­ment here and there.

So, you’re likely won­der­ing why I fin­ished this book. Well, in Asaro’s defense, and mine, PI presents so many inter­est­ing and fresh con­cepts and ideas that I can’t declare it a com­plete loss. The prob­lem is that the ideas that I per­son­ally found inter­est­ing, were either not well devel­oped of weighted in sim­ple yet exces­sive narrative.

Again, first per­son brought me too close to this char­ac­ter who I did not care for. I believe that had this been writ­ten in third per­son, despite my dis­like for Soz, I could have stom­ached her.

As far as the SF ele­ments go, there are a ton of detailed tech­ni­cal descrip­tions that instead of adding to the over­all depth of the story actu­ally slowed the pac­ing. I skipped huge chunks to get back into the fray because at some point I’d just glaze over. Part of the issue, I believe, is the fact that PI has too many things going on. You know, less is more, and all that jazz. We have empathic beings, racial issues (although every­one in this book seemed human and white… don’t even get me started on that), cul­tural issues, strong mil­i­tary ele­ments, space travel, polit­i­cal intrigue, cyber­netic implan­ta­tion, AI

About halfway in, I started think­ing about McMasters-Bujold with her sub­tle use of tech­ni­cal ver­biage and easy believ­able roman­tic ele­ments. I missed that while read­ing PI. I know it isn’t entirely fair to com­pare the two authors, but the sim­i­lar­i­ties and the dif­fer­ences are strik­ing, I think, and Asaro could learn some­thing from McMasters-Bujold about sub­tlety and believ­able rela­tion­ship progression.

For me, the crux of the issue is that this story with all of its polit­i­cal intrigue and SF ele­ments, which I’d nor­mally enjoy, appears to have been woven to sup­port these unlikely romances as opposed to the romances occur­ring as the nat­ural result of what hap­pens when two attrac­tive unat­tached and com­pat­i­ble peo­ple are thrown together. Deus Ex Machina is shame­lessly and ruth­lessly employed here and in the course of one tale is so over used as to become absolutely unacceptable.

The unfor­tu­nate past rape of Soz is a loom­ing ele­ment in this tale, as it col­ors Soz’s future expe­ri­ences. I know that rape hap­pens in real life, that it can alter how a woman sees her­self, how she feels about the world around her and that it col­ors future rela­tion­ships. Rape is tragic and hor­rific and unac­cept­able no mat­ter what. That said, I don’t object to the inclu­sion of such a tragic ele­ment in a story if employed with the sen­si­tiv­ity it deserves. How­ever, in this case I do resent its use as it feels like a pil­lar upon which to prop the pro­tag­o­nist whose char­ac­ter is annoy­ing, weakly con­structed, and paper thin.
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